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Saturday, 21st November 2009

Interview: David Booth, the metal detector enthusiast who uncovered a £1m iron age haul

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Published Date: 05 November 2009
PUT it down to beginners' luck. David Booth has made the most important find of Iron Age gold in Scotland's history – seven yards from his car, on his first outing with a newly bought metal detector.
David Booth with the four gold Iron Age neck ornaments or torcs dating from the 1st and 3rd century BC


David Booth with the four gold Iron Age neck ornaments or torcs dating from the 1st and 3rd century BC

The game warden at a Stirlingshire safari park yesterday told of his "absolute disbelief" when he found four gold neck bands glinting in the soil under his hands.

More than 2,000 years old, they could bring him a reward of anywhere from a few hundred thousand pounds to a million. But, in archeological terms, the hoard of torcs, mixing local and far-flung Mediterranean craftmanship, is priceless.

Buried, perhaps, as a gift to the gods or to respect a dead chieftain, they were said yesterday to show both the considerable wealth and international connections in Scotland from the third to first century BC – the best of ancient European bling, something Queen Boudicca might have sported.

As treasure trove, they will take pride of place in one of Scotland's museums.

Chief game warden at the Blair Drummond Safari Park, where he normally cares for lions and elephants, Mr Booth, 35, is enjoying a better run of luck than a lottery winner.

Stepping from his car into a field, the location of which is now a closely guarded secret, he took out the detector he had brought for £240 from an internet site five days before.

He had tried it briefly at home, testing it on kitchen cutlery, digging up a few nails and coins in the garden. But when he tested it out on a flat piece of ground only a few steps behind his car, the machine immediately registered a gold find.

Using a spade, he began carefully to dig into the earth until he caught a glimpse of something he knew at once was gold. "It was absolute disbelief when I found it," he said. "I couldn't believe I had found something potentially precious. Half of me knew it was, and half of me knew it couldn't be."



He washed the mud off at home, where his girlfriend, fellow game warden Carolyn Morrison, 28, is expecting their first baby in February. "Her initial reaction was, we can't be that lucky."

In a first showing of the pieces under the watchful eye of experts at the National Museum of Scotland yesterday, Mr Booth held them in fine gloves after picking them out of the soil a month ago. Sharp-edged and shining, they looked as if they could have been made yesterday.

The museum called the four pieces the most important Iron Age hoard ever found in Scotland. All gold, they include two torcs, like delicately twisted ribbon, a local Northern European design likely to be from Ireland or Scotland.

But it is the two others that dramatically increase the find's rarity value. One is an ornate torc, broken in two, in a design characteristic of south-western France. The other, the most precious, is a hoop made of braided gold wire of ornate and flowing Mediterranean design.

They were being compared yesterday to a similar collection from 1806, known as the Cairnmuir hoard, found by a shepherd in Netherurd in Peeblesshire. That find also originally consisted of the parts of four torcs and 40 gold coins or pieces of bullion. The material ranged from local torc types to imported material from southern Britain and France. Most of that haul was melted down.

Mr Booth has worked at Blair Drummond, with its elephants and lions, from the age of 19. He said yesterday he had bought the detector for a "bit of fun" and picked the field because a local landowner gave him permission to search there. "I had probably about an hour's use," he said. "I had been practising around the garden and in the house; coins and bits and pieces.

"It was a complete coincidence. The field I was going to go into, I parked up alongside it because I couldn't go into it. I got the metal detector out, set it up, and there was an area of flat ground behind where I had parked, so I thought I would scan it first. Literally, about seven steps from where I parked, there it was."

The machine gives different readings for metals such as iron and silver, but it showed gold. Only later, he said, he heard that even spent shotgun shells can give a gold reading. He reached for a spade.

"When I got the signal, I dug quite big round it. I saw a glimpse of one of them; I had a small trowel as well, so I took my time uncovering them," he said. "I had a very good idea it was gold, so I was very careful.

"Once I came across it and I had the pieces all sitting there, I knew it looked important, but thought I couldn't be that lucky on my first go.

"I took it home, made a wee clean-up and went online, looked at some torcs and kind of guessed it was Iron Age history."

He filled out a treasure trove report online and submitted photographs. Then he stored the torcs in his shotgun case. About four hours after experts at the National Museum's Treasure Trove Unit saw the photographs, they met Mr Booth at his office to collect the items. Colleagues, he said, were simply stunned.

Under Scottish law, the treasure is Crown property. "It is normal practice in Scotland that the finder receives an award which is deemed to be full market value of the objects," said Dr David Caldwell, of the treasure trove unit. He said reports of the find being worth £1 million were exaggerated, but a similar torc found in Newark, Nottinghamshire, in 2005, was bought for £350,000 last year. The Scottish Archaeological Finds Allocation Panel (SAFAP) will decide their value.

The gold was found by Mr Booth on 28 September together in a "wee pile".

As archeologists rapidly excavated the area this month, they found it lay in a pit within the circular footprint of a large timber round-house. They found no other artefacts or remains, in a "surprisingly barren" site, but Mr Booth's "exemplary" behaviour allowed them to secure it for excavations before copycat treasure-hunters could converge. Dr Fraser Hunter, Iron Age and Roman curator, called it a "stunning find" of international importance.

With tests ahead of where the gold originates, the pieces of foreign design may have been commissioned for someone in Scotland, or brought back by a traveller, diplomatic emissary, or mercenary, or after a marriage alliance.

The braided torc, a hybrid between Irish or Scottish styles and Mediterranean workmanship, was like "no other torc from Iron Age Europe", Dr Hunter said. The find illustrated the range and quality of Scotland's contemporary connections, far from being "a backwater on the edge of Europe".

"This is top-notch European bling," he said. "This is the kind of stuff the highest of the high were using. It shows these people are very well connected and also are able to get individual commissions. All these things are custom-made, none of these things is off the shelf. The one torc is a completely unique, spectacular piece."

The hoard could have been buried for safekeeping, but the pieces of one torc hint it could have been buried as an offering, like a sword or seal ritually destroyed after a chief's death.

"We are in 350BC, we are in deep pre-history, so we can't actually say anything about threats at that time," Dr Hunter went on. "Recent work has suggested very few of these things are buried for safety, most of them were buried as some form of gift for the gods, a votive offering. I expect these were likely to be similar."

Mr Booth – facing the cameras for the first time, amid a blaze of publicity – said yesterday, modestly, that any reward would be "very, very handy." Some of his friends, he reckoned, would be getting metal detectors this Christmas. "As for himself? "I'll keep searching," he said. "Whether I find anything like that again is another question."





Page 1 of 1

  • Last Updated: 05 November 2009 10:18 AM
  • Source: The Scotsman
  • Location: Edinburgh
  • Related Topics: Interviews
 
1

common sense voice,

05/11/2009 05:40:29
kill joy.... but, land owner? surely who ever it is deserves some of the money, even all... secondly... did he destroy arch. evidence etc? meaningful amatures once again..
2

common sense voice,

05/11/2009 05:41:57
mind you... I'd have kept it and sold it somewhere on the hush hush scrap gold these days!!
3

AnitaL,

Edinburgh 05/11/2009 07:58:16
Lucky he didn't stick it in an envnelope to 'Cash 4 Gold' or whatever
4

Anndra Ailean,

05/11/2009 08:06:45
Obviously even in those days there were fat cats with all the money
5

ColinChoseTomForte,

05/11/2009 08:29:02
#4 Anndra Ailean
Well spotted and accurate. These trinkets show status. The torc shows status on its own. First used by the Sythians I suspect it shows who the people are bonded to.
6

Anndra Ailean,

05/11/2009 08:33:37
Colin#5 The more things change the more they stay the same.
7

ColinChoseTomForte,

05/11/2009 08:36:48
#6 Anndra Ailean
How very true.
8

DeanConinPeteFSteed,

05/11/2009 08:48:41
ColinChoseTomForte
#5
Good morning Colin,not seen you on this section for a week or two. I hope everything is fine with you.I was on a story like this yesterday with the usual neo element. Take a look

http://thescotsman.scotsman.com/scotland/Amateur-treasure-hunter-strikes-1m.5791904.jp#4579567
9

ColinChoseTomForte,

05/11/2009 09:30:24
#8 DeanConinPeteFSteed
I read your comments and followed the link. How very strange and neo revisionism of them. Reminds me off the case of the Ossian poems.
10

Fitba Krazy,

07/11/2009 18:40:05
8 DeanConinPeteFSteed,

And what makes you think you are so correct?

I hope you read the link this time. You might learn something.

The same goes for you ColinChoseTomForte if you are not the same person, that is.

http://www.albawest.com/IX-legion.html
11

Fitba Krazy,

07/11/2009 18:52:36
5, ColinChoseTomForte,

It's The Scythians

http://www.lost-civilizations.net/scythians.html

Described as barbarians just like the Celts of Pretannia when in fact it was those murdering thieves like the Romans who were the real barbarians (how typical for certain types to get it the wrong way round) and yet they, the Celts and the Scythians, were capable of artistic crafstmanship and had a first class knowledge of recreational and medicinal herbs in contrast to many idiots of today like the Westmonster Government for example.
12

ColinChoseTomForte,

09/11/2009 21:26:07
#11 Fitba Krazy
How pedantic of you Fitba Krazy, I am duly chased for my mistake.
I have an article you should read at http://www.independent.co.uk/news/world/asia/a-meeting-of-civilisations-the-mystery-of-chinas-celtic-mummies-413638.html
It has a most interesting reference to a woman wearing a conical hat. The newspaper article makes the mistake of not realizing the hat as being Scythian. At one time those people we classify as being celtic were under the Scythians control. Blonde or red hair was Scythian, blue or green eyes were also Scythian and are now known to of come from a single source. I almost forgot the article talks about the man being six foot tall, this wasn’t unusual for the Scythians though was unusual at that time in history for other people. I won’t go on about the Sarmatian alani tribe who owned asgard and had warriors such as Odin and Thor. The Sarmatians are said to be a Scythian mix though the alani looked like the Scythians but with shorter shoulder length hair. An unusually tall people the Scandinavian warriors of old. The word earl has it’s roots in the word ir or the warrior ir the language of the people. Ir is also known as iron or ironig the language of the alani. Both iron and ayran denotes Iran. Germanii the people who gave their name to Germany were alani too, the name meaning original Scythians given to then after the Scythians had long gone. The dragon symbol started off by being the Chinese emblem of an emperor, made up of creature the emperor had taken over. The Sarmatian alani stretched over a huge area including as far as China. They took the dragon as their emblem too and moved it west with them. All those people who in history used the dragon as there symbol in Europe had a connection to the Sarmatian alani. Catalonia means the land of the Goth and alani. The Angles and the Saxons used the dragon because of their connection with the alani and brought alani with them when invading Britain. The Roman employed Sarmatian warri
13

ColinChoseTomForte,

09/11/2009 21:27:53
#11 fitba krazy continued....
The Roman employed Sarmatian warrior including on Hadrian’s wall, a time when the wall had no breeches. The Sarmatian were also stationed near Wales. All countries in the lands known as Great Britain now had a dragon emblem. The hierarchy of most countries in Europe were riddled by those who had been Alani. The royal Stewarts have alani blood as does the Queen. William Wallace too and his family who had been in service to the Stewart family since before their arrival from Brittany. The alani had been powerful in Brittany but decided to mix with the Welsh the Romans had transported there. The alani believe power to come from either assimilating or being assimilating.
14

ColinChoseTomForte,

09/11/2009 23:59:07
Poseidonius describes the Celtic peoples’ "delight in gaudy ostentation" that is best
exemplified by elaborately decorated, impressively thick and heavy torcs. The torc, also spelled torque, is a ring of twisted metal that the Celtic peoples typically wore around their necks, waists, arms, or across their breasts. In sculpture and in painting, the torc — the "archetypal personal ornament of the Celtic world" — has become a means of identifying a figure as Celtic. For instance, the Dying Gaul, the most well-known Roman depiction of a Celtic warrior, wears a torc around his neck. In the sixth-century Hallstatt sculpture pictured on the left, the man is identified as a Celt by the torc he wears around his neck.
15

ColinChoseTomForte,

09/11/2009 23:59:57
The Celtic god, Cernunnos is depicted on the Gundestrup Cauldron with a torc around his neck and a torc held in his hand. Ancient writers, like Poseidonius, mentioned the distinctive torc of the Celts; the Greek historian Polybius wrote of the Roman troops’ fear at encountering the Celtic warriors who were "richly adorned with gold torcs and armlets." The torc would have been known to Egyptians, Persians, early Britons, and Romans through monuments and Celtic coins as the signifier of a Celt and as an impressive symbol of strength and power.
16

ColinChoseTomForte,

10/11/2009 00:00:52
Archaeologists have found torcs of different metals, sizes, shapes, and decoration throughout the lands in which the Celts once lived. In this exhibition I focus on nine torcs of varying degrees of elaboration that were found in Ireland and currently belong to the National Museum of Ireland in Dublin. I examine the techniques used to make torcs, the similarities and differences among the Irish torcs and in comparison to torcs from Britain and the continent, the functions of the torc in Celtic culture, and the Celtic mythology of the torc. The mythology reveals how Poseidonius’ description of the Celtic love of ornament is simplistic; the Celtic peoples not only enjoyed beautiful ornamentation, but also shared a mystical belief in its powers.
17

ColinChoseTomForte,

10/11/2009 00:01:42
In 1200 BC, the date for several of the torcs in this exhibition, the concept of twisting a bar or a ribbon of gold was first introduced. The two types of torcs predominant in Ireland are the bar torc and the ribbon torc. Nearly one hundred bar torcs have been discovered in Britain, Ireland, and on the continent. In Ireland alone, at least thirty-one bar torcs have been discovered-the most for any one country — primarily in the southern portion of the Leinster province, in Connaught, and along the north-east coast. The process of manufacturing a bar torc involves hammering strips of gold onto a bar of triangular cross-section that may be twisted clockwise. In some instances, the goldsmith twisted a gold wire around the circular bar in order to give the illusion of a more closely twisted torc. Most bar torcs have recurved terminals (the ends of the semi-circular shape that clasp together) that can be made simply or elaborately.
18

ColinChoseTomForte,

10/11/2009 00:02:33
Derived from this method is the more elaborate flange-twisting technique, which involves hammering up or cutting out flanges into the body of the torc. The flanges, after having been fitted together, were soldered along the inner side in order to form, in cross-section, the shape of a cross. The two gold torcs found in Tara, Co. Meath provide an example of the flange-twisted method. These particular torcs are very closely and tightly twisted. Another example of a flanged torc, found in Coolmanagh, Co. Carlow, is unusual because it was left untwisted. Scholars hypothesize that a tear in the bar of gold deterred the goldsmith from finishing the torc.
19

ColinChoseTomForte,

10/11/2009 00:03:15
Another derivation of the bar torc is the buffer torc, which is best represented by the torc found at Broighter, Co. Derry. To produce such a torc, the goldsmith formed two flattened sheets of gold into hollow tubes, which were then bent into semi-circles. On the ends of the tubes are terminals through which cylinders penetrate. The tubes connect in an intricate mortice and tenon closure. Another earlier buffer torc, found at Knock, County Roscommon, is composed of two semi-circular tubes of gold that connect in a box-like element, which allows both halves to pivot. These two examples demonstrate La Tène presence in Ireland.
20

ColinChoseTomForte,

10/11/2009 00:04:04
In Britain and in Ireland, archaeologists have discovered approximately one hundred and twenty ribbon torcs, most of which were found in Ireland and Scotland. Unlike bar torcs, most ribbon torcs were discovered in north Ulster and north Connaught. This torc-making method, which perhaps originated in Ireland and Britain, is more limited than the bar-twisting method, and it typically produces very heavy ornaments. In order to produce a ribbon torc, the goldsmith hammered an ingot of gold into a ribbon approximately 4 mm thick and then twisted it. Although ribbon torcs are more limited than bar torcs, the goldsmith had more freedom to determine the width of the ribbon, the diameter of the torc, the degree of twisting, and the terminal type. Among the ribbon torcs exhibited here, these elements all vary. For instance, the ribbon torc found at Knock is not as perfectly twisted in comparison to the ribbon torc found in Belfast, Co. Antrim, and its elaborate pear-shaped terminals are rather unusual among ribbon torcs. The torc from Coolmanagh, Co. Carlow has very simple recurved terminals, but it is probably the largest recorded ribbon torc.
21

ColinChoseTomForte,

10/11/2009 00:04:53
Since the first discovery of a torc in Ireland, scholars have debated the objects’ provenance in attempts to determine that torcs are either definitively Irish or definitively non-Irish. The 1st century buffer torc found in Broighter has elicited more participants in this debate than any other torc found in Ireland. Some archaeologists have claimed that the torc was imported from north-western Europe, and others have suggested that the torc was imported from Britain. Françoise Henry claimed that the natives smiths produced the torc in Ireland. After much examination, scholars have ultimately determined that the design was created in Ireland but that the terminals were imported from Europe and then assembled in native workshops.
22

ColinChoseTomForte,

10/11/2009 00:05:42
Certainly the design on the Broighter torc, the most elaborate torc found in Ireland, does resemble the ornamentation on other Irish objects, such as the Turoe stone and the bone flakes from Co. Meath. However, this La Tène decoration can be found in other examples as well. The torcs from the Snettisham hoard in England, for example, share similar ornamentation of S-curves and spirals. On the back of a Snettisham torc are the same repeated arcs that background the main decoration of the Broighter torc. Like other continental La Tène objects, the gold torc from the chariot grave in Waldalgesheim is also decorated by plastic scroll patterns. The decoration of the Waldalgesheim torc, however, represents human heads in the playful suggestion of eyes, a nose, and a mouth. None of the torcs exhibited here suggest figural representation.
23

ColinChoseTomForte,

10/11/2009 00:06:46
The buffer torc found in Knock also presents problems for issues of provenance. Created two centuries earlier than the Broighter torc, in the Early Iron Age, this torc is also similar to continental La Tène objects. For instance, the cones are decorated with spirals and protruding knobs, and the box-like element is decorated with and embossed meander pattern. The vegetal tendrils closely resemble the design from Waldalgesheim objects. B. Raftery hypothesizes that this torc was actually made in the Middle Rhine region and imported, demonstrating the first La Tène presence in Ireland. Archaeologist W. Wilde, who wrote in the mid-nineteenth century, suggested the torc’s similarities to Scandinavian art. Scandinavian influence explains, for archaeologist P. Harbison, the characteristics of the torcs found in Tara. He claims that the Irish imitated the bronze decorative objects that the Scandinavian smiths had produced much earlier.
24

ColinChoseTomForte,

10/11/2009 00:08:26
Scholars typically attribute ribbon torcs, such as the Belfast torc and the Knock torc, to native origins, perhaps because there are fewer continental examples in comparison to bar torcs. Archaeologist Eogan hypothesizes that the technique of making ribbon torcs actually developed in Britain and Ireland before 1000 BC, after they had been introduced to the technique of twisting metal through bronze torcs and gold earrings in the 2nd millennium. Because the technique allegedly developed in Ireland and Britain, determining a ribbon torc’s origin becomes less difficult. For instance, the ribbon torc found at Knock with the presumably continental buffer torc is purported to be native even though its terminals are different from those of any other torc found in Ireland.
25

ColinChoseTomForte,

10/11/2009 00:09:18
In his article on Celticism, Joep Leerssen articulates the difficulties of studying Celtic culture, stating that, most importantly the concept is "highly disparate." He argues that, for countries with Celtic ancestry, the Celts "can count both as an exotic Other and as a central element in the nation’s historical awareness." This dichotomy is symptomatic of looking at history, in general, and it typifies Irish archaeologists’ desire to classify Celtic objects as either belonging to Ireland, or to Britain and the continent, or perhaps as a combination of all three areas. Because Celticism embodies such a disparate culture, there exists a nationalistic desire to differentiate between Irish Celtic and continental, and even British, Celtic. Celticism poses a particular problem to Ireland, as Leerssen argues, because scholars conceive of Ireland as the "paradigmatic case" of Celticism, yet they simultaneously conceive of Ireland as the periphery of Celtic culture. When studying how artistic developments traveled among the Celts, Celticists typically describe the developments as having originated on the continent and traveling to Britain. After developments reached Britain, they finally made their way to rural Ireland. Scholar M. Cahill suggests that objects from eastern Mediterranean Europe influenced native torc manufacture, but that the Irish smiths not only imitated other prototypes but surpassed them. This claim reflects an adherence to the "natural" progression but also a desire to establish Irish creativity and ingenuity. Determining any object’s provenance can be challenging, however; when dealing with Celtic objects, the task becomes very complicated because of the diversity of Celtic culture and because of current nationalistic conflicts.
26

ColinChoseTomForte,

10/11/2009 00:10:22
Just as determining the provenance of torcs proves difficult, the dating of torcs has also posed a challenge to scholars. Eogan attempted to date bar torcs conclusively, as late Middle Bronze Age objects, however, he qualified his statement by adding, "at least nothing seriously has emerged to challenge" the hypothesis. Scholars generally concur that ribbon torcs originated during the late 2nd millennium, but find it difficult to date them because ribbon torcs were generally found with other objects of varying dates. Dating becomes even more complex because there seems to have been a disappearance of torcs in the Late Bronze Age, followed by a revival in the Iron age. After having analyzed the gold from ribbon torcs, archaeologists found that many have a platinum-rich gold that suggests an Iron Age dating. B. Raftery suggests that Italy may have inspired the revival of ribbon torcs because one was discovered in a Celtic cemetery of Montefortino, Ancona, Italy that had terminals similar to those form Ireland, and an iron torc found in Mantua had pear-shaped terminals like the ribbon torc found in Knock.
27

ColinChoseTomForte,

10/11/2009 00:11:19
The objects in this exhibition are dated according to the National Museum of Ireland’s exhibition catalogue entitled Treasures of Ireland, and are organized chronologically, oldest to most recent. The ribbon torcs found in Belfast and in Coolmanagh, along with the flanged torcs found in Tara and in Coolmanagh, have been dated to the Middle to Late Bronze Age. Next are the two torcs found in Knock, which scholars have dated to the third century BC, the Early Iron Age. The Broighter torc was allegedly produced two centuries later, and the Somerset ribbon torc is dated to the first century AD.
28

ColinChoseTomForte,

10/11/2009 00:12:25
On occasion, archaeologists have found torcs on a corpse’s body inside a grave, such as in Vix, Southern France. The torcs in this exhibition, however, were deposited in hoards, which were usually located near a marshy area or a riverine. The hoard suggests that the Celtic peoples deposited the objects for religious purposes, a practice to which ancient writers made reference. These torcs could have been worn occasionally, or reserved solely for ritual purposes. Archaeologist Furger-Gunti argues that the Broighter torc is a non-utilitarian object used only for religious offering because it has heavy backing materials that would have precluded its use as personal adornment.
29

ColinChoseTomForte,

10/11/2009 00:13:12
Depictions of Celtic warriors in art, such as the Dying Gaul, and in ancient writings refer to the Celts’ use of torcs within battle. The torc on a statue from Halstatt confirms the figure’s status as a warrior. In descriptions of Boudica, the queen of Iceni who led her people into battle against the Romans, writers often emphasized her "great twisted golden necklace" because they were struck by this symbol of force. In the context of battle, torcs become symbols for strength and attributes of authority and power probably because they are often so large, heavy, and ostentatious. Torcs also served as the spoil after battle if the Celtic army was defeated. One Roman warrior, T. Manlius Torquatus earned his name after having taken a torc from a fallen warrior. By stealing the torc, Torquatus in essence captured the warrior’s strength and conferred it onto himself. This tale suggests the mystical power of the torc.
30

ColinChoseTomForte,

10/11/2009 00:14:06
In addition to serving as ritual offerings and as intimidators in battle, gold torcs also functioned as emblems of royalty. ("The lesser mortals adorned themselves with bronze") Torcs from earlier centuries were typically found in women’s graves. For instance, a beautiful and elaborate torc was discovered in the grave of a woman whom archaeologists determine to be a princess. Art historian Jacobsthal claims that the smaller torcs, of approximately 13 cm in diameter would fit around a slim woman’s neck, whereas the larger torcs, 18-20 cm in diameter, found in chieftains’ graves, were probably worn by warriors. In his early description of torcs found in Ireland, Wilde suggests that the Celts may have worn torcs around their heads or to bind their hair as a symbol of royalty. This characteristic continues even after the introduction of Christianity; the protagonist of an early medieval Welsh tale wears a gold torc as a sign of her royalty and power.
31

ColinChoseTomForte,

10/11/2009 00:15:01
Celtic myths refer not only to the Celtic belief in the symbolic power of torcs but also to the belief in the supernatural power of the torc. One myth gives the account of Julian the Apostate’s proclamation as emperor. During this event, a Celtic warrior named Maursus took the torc from his own neck and placed in on the new monarch’s head. This gesture symbolized the soldier’s recognition of Julian as the possessor of power and provided Julian with a tangible source of strength. Another story, found in the accounts of the life of St. Brendan of Clonfert describes the Celtic belief in the mystical qualities of the torc. In this account, the resident king of Tara, Dermot MacCerrbheoil, dreams that angels took his torc from his neck and gave it to a stranger. When St. Brendan later crosses his path, MacCerrbheoil recognizes him as the man to whom the torc was given, and upon hearing the sages’ interpretation of his dream, the king relinquishes his kingdom.
32

ColinChoseTomForte,

10/11/2009 00:16:13
With the introduction of Christianity, the torc took on more characteristics, and even became identified as a relic. In his twelfth-century description of Wales, Gerald of Wales describes a torc once owned by Saint Cynog. The gold torc is made of four sections that are welded together and divided in the middle by a dog’s head, whose teeth are bared. According to the author:
The local inhabitants consider this to be a most potent relic, and no one would dare to break a promise which he had made when it was held in front of him. On the torque there is the mark of a mighty blow, as if someone had hit it with an iron hammer. A certain man, or so they say, tried to break the collar, for the sake of the gold. He was punished by God, for he immediately lost the sight of both eyes. To his life’s end he lingered on in darkness.
For the Greek or Roman (and perhaps for the twentieth-century scholar), the torc reflects the "considerable vanity of the Celtic peoples and their delight in gaudy ostentation." For the Celt, the torc served as a symbol of strength, power, and royalty. When worn in battle the torc could protect the warrior from defeat. For the early Christian, the torc became a relic, a symbol of the strength and power of God, that could sanctify promises and punish the unbelievers.

 

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